The , contains an exceptional assemblage of cave art, with many painted rock shelters, including a cave, with magnificent pictographies surrounded by an outstanding landscape, with the river running through a deep canyon, which were executed between 9,300 and 1,300 years ago.
It takes its name from the stencilled outlines of human hands in the cave, but there are also many depictions of animals, such as guanacos, still commonly found in the region, as well as hunting scenes that depict animals and human figures interacting in a dynamic and naturalistic manner. The entrance to the Cave is screened by a rock wall covered by many hand stencils. Within the rock shelter itself there are five concentrations of rock art, later figures and motifs often superimposed upon those from earlier periods. The paintings were executed with natural mineral pigments – iron oxides (red and purple), kaolin (white), and natrojarosite (yellow), manganese oxide (black) – ground and mixed with some form of binder.
The artistic sequence, which includes three main stylistic groups, began as early as the 10th millennium. The sequence is a long one: archaeological investigations have shown that the site was last inhabited around AD 700 by the possible ancestors of the first Tehuelche people of Patagonia. The Cave is considered by the international scientific community to be one of the most important sites of the earliest hunter-gatherer groups in South America during Early Holocene that still maintains a good state of preservation and has a singular environment formation, unique at Santa Cruz province.

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